Tea (Towels) For Two

I got a new 20 inch Schacht Flip Rigid Heddle Loom! I have been wanting to design some color and weave tea towels for the rigid heddle loom. The 16 inch looms I own (an Ashford RH and a LeClerc Bergere) wouldn’t cut it for the size towel I wanted. As much as I love my little 10 inch Cricket looms (another well made Schacht product), I think the Flip is the best rh loom on the market when you want something a little bigger. Yesterday I put the loom together in about five minutes, and then finished designing and calculating the yarn needs for my project.I’m using two colors of 8/2 cotton in the warp and weft  I decided to direct warp the project. I put enough warp length on for two towels plus a little extra for sampling. Keeping the spools of yarn separated at the back of the loom on the floor keeps them from twisting around each other as I warp. Using 8/2 cotton will keep the towels from being too bulky and the great thing about the 8/2 Cotton is that two threads and each slot in hole of a 10 dent heddle works perfect at 20 e.p.i. for plain weave. I just direct warp, filling both the slots and the holes with one loop of thread following my color sequence for the pattern. (Using the IWeaveit app’s threading tracker made that a breeze).

To make direct warping easier for such a wide project, I did two things. I put my loom on a stand that was high enough so that I didn’t need to bend over as I was threading the heddle. Ergonomics in weaving are very important.  And rather than direct warping to one central peg, I used a small warping board clamped flat to a small table and used three pegs with a third of the warp to each peg. (See the first picture above). That will keep each warp end closer to the same length.  If I had using only one centrally placed peg, the warp ends would be longer at the outside edges of the warp than in the center of the warp since they would have a longer distance to travel. The warp only took about an hour and a half to measure and thread 360 ends (180 slots and holes). Since the holes are already threaded, when I wind on and tie onto the apron rod, I am ready to weave.

I did make one miscalculation while warping. I assumed my heddle was 20 inches wide since I bought a 20 inch wide weaving width loom. Since my warp was going to be 18 inches wide, I started threading one inch in from the edge of the heddle to center my warp (there should have been only one inch left un-threaded on the other side).  As you can see, it’s not centered. The heddle is actually 20 and 5/8 inches.  If I had checked before warping, I could’ve added another repeat of the color sequence and still not be weaving the full width of my loom. I think weaving from edge to edge the full width invites problems, so I like to leave at least two slots empty on either side of the warp. I will have to remember that tidbit for the next wide project I make. Now off to wind shuttles!

Value Contrasted

I have a beginning rigid heddle weaving class upcoming class at the Weavers Guild of Greater Cincinnati .  Learn to Weave a Hounstooth Scarf.  There is only one space left in the class.  This post is to help the new weavers pick their yarn for the class.  It will also help anyone who wants to make a color and weave effect in a project too.

The yarns chosen for class should be a worsted (medium or size 4) weight yarn to use in an 8 dent heddle or a bulky (size 5) weight yarn if you want to use a 5 dent heddle for faster weaving.  A wool or wool blend (or nice acrylic) is ideal.  For a nice size scarf you need one 100 gram ball of each color. Yarn should not be mohair or anything fuzzy or lumpy.  Avoid singles and get a plied yarn.  For a houndstooth you need 2 different colors that contrast in value.  One should be a dark color and one should be a light color to produce the best effect.  Colors that are close in value can look nice too, only the color and weave effect will be more subtle.

I like to take a digital photo and change it to monochrome (black and white) That will show you the difference in value of your yarn.

The photo above show some different yarns that are close in value.  When you change the color of the one on the left to black and white on the right, they are obviously almost the same in value and look like the same color in monochrome.

This photo above shows yarns that have a discernible difference in value. You can see in monochrome how much they differ.

Happy Weaving!

Roc the House

Roc Day

Wow, long time no post. I enjoyed the Weavers Guild sale and fall retreat in November, traveled to Savannah to visit my cousin in early December and then I have been teaching, creating, selling, helping my mom who broke her hip and have just plain been busy, especially over Christmas, with two of my kids being able to come home for the holidays (two still live at home too).  Now everyone is back to school and work and my mom is on the mend so its back to work for me.

The Weavers Guild held their annual Roc Day event last weekend.  Its a great benefit of membership.  The mini-classes are all free to members and you can take 2 in the day.  I learned how to weave on the bias on a pin loom and created a proddy flower using rug hooking techniques.  Both were fund and taught by creative fiber artists who are fellow guild members.

 

 

Fall into Socks

fallsock

I love the colors of these socks. They are the colors of Autumn to me. The yarn is slightly thicker, more of a sport weight than a fingering weight sock yarn and they are just the ticket for warm feet this winter. Want a pair?  Just $30 plus shipping and they also come in a colorway in shades of blue. Send me a message or use my store and I can custom make a pair for you.  (Some larger men’s sized will cost slightly more due to needing more than 100 g of yarn.) This pair is for a size US  8.5-9.5 woman’s shoe sized foot.  They were the first pair made on my 54 stitch cylinder and have a 2×1 rib stitch on the cuff and leg.  Look for these socks and more of my knitted items at the Weavers Guild of Greater Cincinnati Fall Sale,  November 11-13.  There will be many handmade items by the artisans of the Guild available to purchase!

 

 

Weaving Shibori

 

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In the Rigid Heddle Loom Study Group I lead at the Weavers Guild of Greater Cincinnati, we are working on a woven Shibori project. Last week we brought in our projects that we wove with supplemental weft. We got together to pull the supplemental weft threads to gather the woven cloth to create the areas of resist before dyeing. In the photo above I am pulling the blue supplemental threads along one side of the cloth.  I pulled them in small groups that match the block patterns I was weaving into the cloth.  Pull them about halfway across the cloth (be careful not to pull out the threads from the other side) and tie the small group of threads into and overhand knot. Finish one side before starting the other.

ws2  ws3

Next as you see in the above photos, I have started on the other side of the cloth.  To make it easier to tie the threads into the block groups again, I snip the loops of thread  as I come to them.

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Pull the group until the cloth gathers against the overhand knot tied on the other side.  Pull tightly and tie into a surgeons knot on this side (not and overhand like the other side).  If you break a thread by pulling too tightly that will just be a variation in the pattern in your finished cloth. Thensecure the surgeons knot with a second knot on top of it instead of finishing with a bow

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Above is the fully gathered cloth after I snipped off excess dangling threads.

Next up will be dyeing the gathered cloth in an indigo dye pot.